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SineNomine Trick Member
Joined: 17 Jan 2004 Location: Boise, ID |
420. Posted: Sun Feb 01, 2004 2:28 pm Post subject: |
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If you are having trouble with really fast alternating steps, try this trick: Just concentrate on one foot, doing a half time rhythm. For example, if you are trying really fast LULU...etc 8th steps, concentrate on only your left foot hitting the left arrow on the beat. Generally speaking, your other foot will fall right into place.
However, if you are a musician, the converse is true. Always be subdividing the beat in your head. If you are thinking 16th notes, your 8th steps will be right in rhythm. If you are at home, dont be afraid to say the rhythms. Sure, you feel like a dork, but the more parts of yourself that you have moving in time, and thinking in time, the more in time your feet will be. Ask anyone you know in a marching band or drum corps how they keep their feet in time. It all starts in your head.
And if you are still having trouble, start looking at your feet, where are they when they AREN'T on the beat? Try dividing the movement of your foot into several rhythmic movements (eg down on 1, up on the upbeat of 1). Your foot is probably already subdividing for you, all you need to do is pay attention to it. Generally speaking, if you are having trouble keeping fast rhythms in time, it is because you are not thinking through the motions, and just putting both of your feet on autopilot. Not to be confused with the trick above, where you just concentrate on one foot.
I hope something in all of that up there works for you. |
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Raen Trick Member
Joined: 26 Jan 2004 Location: Resides in crappy small town. Visits Lubbock for DDR |
421. Posted: Mon Feb 02, 2004 7:37 am Post subject: |
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Marching band an drum corps are quite a bit different from DDR. I know from 3 years of experience going on my fourth. Mainly because in marching band you usually aren't asked to march at 300 bpm. o.O Though using your method and concentrating on one foot rather than both has actually helped me a bit with Max 300, brought my score up from a low B to a high B and nearly a low A at one point. I guess I'll just have to keep on trying then. Thanks for your advice though. _________________
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ninjafetus Trick Member
Joined: 07 Apr 2002 Location: Albuquerque, NM/Lubbock, TX |
422. Posted: Fri Feb 06, 2004 11:36 am Post subject: |
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Hey, Raen, good you see you're posting in more than just the Lubbock thread...
Um, focusing on one foot does help, alot. Also, depending on if you're playing with or without the bar, how you stand can help. With no bar, try and lean forward a little bit to lower your center of gravity. Also, I notice that when people have trouble with these, it's because they are dragging (who would rush the fast notes?). I try and time the first note, and then "play towards the last." As in, after hitting the first note, focus on hitting the last one on beat, and then then middle of the run tends to fall into place.
If you come to Tilt this weekend, I can try and watch to see if I have any tips... If you got an A on it, though, you're already on your way fine I'm guessing it's just practice. It's interesting to see someone having trouble with those notes rather than the fast runs in 300... _________________
Drunk Slugs. |
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harry potter Trick Member
Joined: 24 Aug 2003
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423. Posted: Fri Feb 06, 2004 3:11 pm Post subject: |
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ninjafetus wrote: | It's interesting to see someone having trouble with those notes rather than the fast runs in 300... |
i can almost AA max 300 but its all the fast runs in the song that gets me, do you have anytips for that? _________________
cnsf.pokemonmaster |
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ninjafetus Trick Member
Joined: 07 Apr 2002 Location: Albuquerque, NM/Lubbock, TX |
424. Posted: Mon Feb 09, 2004 10:11 am Post subject: |
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harry potter wrote: | ninjafetus wrote: | It's interesting to see someone having trouble with those notes rather than the fast runs in 300... |
i can almost AA max 300 but its all the fast runs in the song that gets me, do you have anytips for that? |
So, you an pass it, but end up getting a few misses/greats and mess up your PA? Well, If you can pass it, you've already finished the hard part.
One question is do you kinda fumble through those parts and get a lot of goods/misses? I know a lot of people can pass the max's, but only sloppy. For those runs, I don't think there's much to do but practice.
First, you need the stamina to not play it sloppy. I couldn't AA Max300 the way I first beat it (playing small step style, fumbling thorugh the runs). I had to get the stamina to actually play those runs on my toes hitting them solidly the whole time. It's a lot easier to get through using small steps, but it wrecks your PA... (well, you can improve small step PA, but that's another story)
Um... I could help you more if you told me what happens on those parts. Mostly, though, I'll probably say practice hitting all those fast notes fluidly, and it'll just take time.
RAEN> Nielle also wanted me to add this. To practice getting up to speed on those fast alternating notes (in V, Across the Nightmare, Max300...), practice building up speed this way: Anywhere, not even in a game or on a machine, just start slowly alternating steps, and get faster and faster until you can't control it anymore. Do that a lot, and you'll learn to hit alternating steps really fast. Then, when you go back to the machine, they should be easier. _________________
Drunk Slugs. |
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Sah-K a.k.a Fuji Trick Member
Joined: 02 Dec 2003 Location: Niagara Falls, Ont. Canada |
425. Posted: Mon Feb 09, 2004 3:13 pm Post subject: |
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I'm still not familiar with the terminology around here....
what does PA stand for? |
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harry potter Trick Member
Joined: 24 Aug 2003
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426. Posted: Wed Feb 11, 2004 2:25 pm Post subject: |
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[/quote]
So, you an pass it, but end up getting a few misses/greats and mess up your PA? Well, If you can pass it, you've already finished the hard part.
One question is do you kinda fumble through those parts and get a lot of goods/misses? I know a lot of people can pass the max's, but only sloppy. For those runs, I don't think there's much to do but practice.
First, you need the stamina to not play it sloppy. I couldn't AA Max300 the way I first beat it (playing small step style, fumbling thorugh the runs). I had to get the stamina to actually play those runs on my toes hitting them solidly the whole time. It's a lot easier to get through using small steps, but it wrecks your PA... (well, you can improve small step PA, but that's another story)
Um... I could help you more if you told me what happens on those parts. Mostly, though, I'll probably say practice hitting all those fast notes fluidly, and it'll just take time.
RAEN> Nielle also wanted me to add this. To practice getting up to speed on those fast alternating notes (in V, Across the Nightmare, Max300...), practice building up speed this way: Anywhere, not even in a game or on a machine, just start slowly alternating steps, and get faster and faster until you can't control it anymore. Do that a lot, and you'll learn to hit alternating steps really fast. Then, when you go back to the machine, they should be easier.[/quote] well its like it feels like im hiting the arrows but i get misses _________________
cnsf.pokemonmaster |
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Raen Trick Member
Joined: 26 Jan 2004 Location: Resides in crappy small town. Visits Lubbock for DDR |
427. Posted: Wed Feb 11, 2004 8:32 pm Post subject: |
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Ah, ok then. I'll see if that works. I dunno, it's like my legs sort of go out. Like a governer on a car or something that moderates it's top speed. I'll see if this does anything though. Thanks. _________________
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ninjafetus Trick Member
Joined: 07 Apr 2002 Location: Albuquerque, NM/Lubbock, TX |
428. Posted: Thu Feb 12, 2004 6:30 am Post subject: |
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harry potter wrote: | well its like it feels like im hiting the arrows but i get misses |
Well, I don't know what to say really but to try and get your misses down. Each miss is like getting 10 greats, as far as trying to get a AA goes. You could try and get your greats down on the rest of the song, but you'd have to improve your PA a lot more than if you just managed to get a couple, or no misses.
As far as hitting them, but getting misses, I dunno... maybe you need to hit them more solidly (not slide around? Not play small-step style?). Try and build up the speed to hit them on your toes, mostly in the middle of the arrows. That might help.
Oh, and PA stands for "perfect attack." It refers to when you're not trying to beat a song, but get more perfects (as in, get that AA, or AAA) _________________
Drunk Slugs. |
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splinter271 Basic Member
Joined: 31 Jan 2004
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429. Posted: Fri Feb 13, 2004 7:33 pm Post subject: |
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DYGO a.k.a Fuji wrote: | I'm still not familiar with the terminology around here....
what does PA stand for? |
PA stands for Perfect Attack, which if I'm not mistaken means attempting to get as many perfects as possible in a song, the consummation (god I love that word) of which rewards one with a AAA.
[edit] Gar! beaten to it yet again! [/edit] |
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Sabin XIII Trick Member
Joined: 14 Feb 2004
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430. Posted: Sun Feb 15, 2004 11:33 am Post subject: |
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Question.
People on here occasionally speak of the importance of knowing when to hit the left arrow with the right foot, and the right arrow with the left foot. I never trained myself to do this and I'm trying to start.
I began to realize I had a problem when the game would tell me to hit left, down, right, or something thereabouts, and my only two options were either to hit down and right with my right foot really fast, or swing my left foot across the pad to the right arrow after hitting left...which also turned out to be a bad idea, as the next step was usually left or up, and I personally enjoy facing the screen, so I hit that with my left foot as well. In other words, I'm not capable of playing steps similar to these without using one foot to hit two consecutive arrows.
I remembered back in lesson mode being taught how to spin around the pad, a move that was "fun for everybody!" So I redid lesson mode with the intention of building my skill in this area, starting with some light songs. However, redoing lesson mode I came across a tip I had forgotten about; the lesson gave me steps similar to the ones I've already mentioned, and it suggested doing what I was already doing, hitting down and right with my right foot. It attempted to comfort me in the process. "This move is difficult for everybody!"
Indeed. The antithesis of the spin movement.
Okay, now for the point of this post. When exactly do I hit arrows with opposite feet? What visual clues am I supposed to follow during a game to tell when I'm supposed to do it? Do I only do it while spinning as lesson mode suggests, or is that tip outdated? |
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Slowpoke Trick Member
Joined: 28 Oct 2003
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431. Posted: Wed Feb 18, 2004 9:31 pm Post subject: |
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Here's a question I'd like folks' opinion on: lately I've been pushing myself, tackling songs that are slightly beyond my ability level. Some I pass, and some I don't; but even the ones I pass, I usually do so pretty awkwardly, depending upon the complexity of the footwork. I started to wonder though, is this counter-productive? Is passing songs sloppily just going to make me develop bad habits? Should I tone it down a notch or stick with it? |
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invincible1 Trick Member
Joined: 17 Sep 2003 Location: Long Island, NY |
432. Posted: Wed Feb 18, 2004 9:48 pm Post subject: |
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Slowpoke wrote: | Here's a question I'd like folks' opinion on: lately I've been pushing myself, tackling songs that are slightly beyond my ability level. Some I pass, and some I don't; but even the ones I pass, I usually do so pretty awkwardly, depending upon the complexity of the footwork. I started to wonder though, is this counter-productive? Is passing songs sloppily just going to make me develop bad habits? Should I tone it down a notch or stick with it? |
No way not at all, one of my favorite songs is HVAM and i must have played it 100 times before i could AA it, but me playing it over and over and over I began to learn the note patterns and differant techniques to hitting certain difficult arrows. I dont care who you are youre not going to do great on a hard song the first time you play it you need to learn the note pattens and how to do them by playing them repeatedly. Keep it up and eventually youll be able to AA those tough songs
I also am now going back to light and standard songs and AAAing them to help my PA out you might wanna try that too if youre struggling with timing. |
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Slowpoke Trick Member
Joined: 28 Oct 2003
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433. Posted: Thu Feb 19, 2004 7:51 am Post subject: |
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No, it's not really a timing thing... it's things like giving up on arrows because I'm out of position or have my weight going the wrong way, or double-stepping certain sequences. Stuff L-U-R-U-L-U-R kills me... I know what I SHOULD be doing, but the double-stepping instinct takes over and ties me in knots. I don't want practicing these songs to just make me better at double-stepping. |
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invincible1 Trick Member
Joined: 17 Sep 2003 Location: Long Island, NY |
434. Posted: Thu Feb 19, 2004 10:44 am Post subject: |
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well unfortunately for certain songs, like HVAM you do have to doublestep, especially if you want to get a AA but when you keep playing the songs youll learn new ways of positioning yourself, its just natural. Thats how I feel about it anyway. Of course im not the greatest player ever but I think Im pretty good. Sometimes what you THINK you should be doing is actually not what you should be doing. Sometimes a step looks like you should do a crossover but it would actually be better to PA it with a doublestep. The one thing you should never ever do is give up in the middle of the song, I really hate when my friends do that and I get very pissed at them because you cannot improve if you give up, but if you fail you will improve if you keep trying....hope my babbling on helps you in some way.... |
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Slowpoke Trick Member
Joined: 28 Oct 2003
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435. Posted: Thu Feb 19, 2004 11:00 am Post subject: |
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No, I don't give up on a whole song... I just meant give up on a given arrow, because I know that I'm not gonna be able to get there in time because of my position and momentum.... so rather than get hopelessly out of sync, I'll just regroup and continue on at the next beat.
And yeah, the occasional double-step is sometimes preferable, but in the sort of sequence I described (L-U-R-U-L-U-R), it looks and feels awful... |
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Mikeweiser Trick Member
Joined: 15 Feb 2003 Location: Saginaw, MI |
436. Posted: Thu Feb 19, 2004 12:09 pm Post subject: |
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splinter271 wrote: |
PA stands for Perfect Attack, which if I'm not mistaken means attempting to get as many perfects as possible in a song, the consummation (god I love that word) of which rewards one with a AAA.
[edit] Gar! beaten to it yet again! [/edit] |
How about SG (or something like that)
I thought I knew all the lingo, and now many people are using that, almost as if it is a replacement for PA. |
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invincible1 Trick Member
Joined: 17 Sep 2003 Location: Long Island, NY |
437. Posted: Thu Feb 19, 2004 3:28 pm Post subject: |
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Mikeweiser wrote: | splinter271 wrote: |
PA stands for Perfect Attack, which if I'm not mistaken means attempting to get as many perfects as possible in a song, the consummation (god I love that word) of which rewards one with a AAA.
[edit] Gar! beaten to it yet again! [/edit] |
How about SG (or something like that)
I thought I knew all the lingo, and now many people are using that, almost as if it is a replacement for PA. |
if you mean SDG that means single digit greats, aka if you get under 10 greats on a song.
Quote: | And yeah, the occasional double-step is sometimes preferable, but in the sort of sequence I described (L-U-R-U-L-U-R), it looks and feels awful... |
well in that case thats actually a fairly simple crossover. You should deffinately be able to pick up on that with time. Im sure you already know how your supposted to do it but the way i would do it is left leg on 1st L then right leg on Up then continue using left leg for all ups and right leg back and forth on left and rights, make sure you turn your body though facing left it will help out alot. |
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Morter Trick Member
Joined: 21 Feb 2004
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438. Posted: Tue Feb 24, 2004 5:17 pm Post subject: |
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Argh...
Ok, I only have a home version and, at the moment, not enough money for a metal pad [has a soft pad from Konami].
Now I'm trying to figure out how to do really fast, streaming crossovers [ala EE Heavy or Paranoia Rebirth Heavy]. Its getting really hard and annoying to try and play a song you like but can't do because you don't have enough traction! I've already duct taped my pad to the floor, which keeps it STILL and all, but the pad still scrunches up a bit and its starting to bug me. Any tips on this? |
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Bioclown Trick Member
Joined: 13 Jan 2004 Location: So Deep |
439. Posted: Tue Feb 24, 2004 7:13 pm Post subject: I Can Help!!! |
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Quote: | Ok, I only have a home version and, at the moment, not enough money for a metal pad [has a soft pad from Konami]. |
Well, I have some solutions for you, and this is coming from a guy who's been in your shoes before, and is now a Cata player due to my pad (Described in Solution #2)
Solution #1: This is a solution I found out from a cash-scarce friend who himself had a Konami Soft Pad. What you do, is take a 4'x4', 1" thick piece of plywood or some such material, tape your pad to it, and then staple the cloth linings down with heavy duty staples. Then, to keep it from sliding about, you take a rug-bottom (They're these little rubber grids that you can get at Home Depot that keep doormats from slipping on tile) and then affix it to the bottom of the pad with either tape or staples. This works great, however, it does put wear and tear onto the soft pad's circuitry, so be cautious in your endeavors.
Solution #2: This is what I did to heal my own soft-pad blues and go easy on my wallet. This is also much more difficult than Solution 1, so be careful. I just up and built my own metal pad. It cost about $80 less than a RedOctane Metal Pad, and you can make it better. If I went into detail on how to build it, then I'd be booted from the server for text clogging, but here's a real good site to go to. I got my info from this site. www.geocities.com/ddrhomepad. This will help a lot.
Good luck, buddy. |
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